Lookbook’s Wild at Heart was the soundtrack of 2010 in the Twin Cities music scene. It was in the background of a lot of memories from that time for me, but I must admit that I feel like I didn’t really connected with it until recently.
One morning when I left for work several weeks ago, Wild at Heart was in the car’s CD player, presumably left there by my partner the day before. It was when I was driving that it clicked for me. It went from a band I knew and kind of liked to my summer music obsession. It makes sense, I suppose. After all, it seems driving is a part of all the songs on this record. Singer Maggie Morrison said,
“I can only write my parts of the songs when I’m driving around in a car,” she confided. “That way, I don’t have to worry about anyone hearing me. I can be as experimental as I want or as loud as I want, and I’m a lot less self-conscious.”
For many of the tracks on “Wild at Heart,” Morrison would take off from her mom’s house near Madison, Wis., for long, fast drives around the farmland valleys.
Lookbook turned my summer commutes into dance parties in the best way possible.
There was a time when most Mondays meant music on this blog, but as my posts have slowed down, music has all but disappeared here. I’m still listening to old favorites and discovering new music. Just not writing about it very often.
A few weeks ago I came upon, Sunday Mornings with Reina, a YouTube series by local singer-songwriter Reina del Cid, and I was charmed. Perhaps it is the warm, folksy vibe of the videos or maybe it is the wall of books and literary references in the background that drew me in. Whatever the reason, I am hooked. If I may say so, this series of videos makes a great soundtrack to a quiet Sunday morning. Start here:
Enjoy. And stay tuned for more music posts from me. :)
The Local Current blog has covered some of the most notable women in Minnesota music history here and here for Women’s History Month. I’m sure they’ll also highlight the fantastic all-women bands that are playing out locally right now, but I wanted to share a couple of that I think deserve some attention.
- Kitten Forever is a riot grrrl inspired punk band. Rift Magazine reviewed their 2013 release Pressure: “The band’s anthemic axiom ‘Do you wanna get loud? Yeah you know you wanna.’ aptly initiates the album of 13 poignantly short songs. Listeners needn’t be well-versed in riot grrrl ideology in order to enjoy the listen, since this release strips the genre down to its essential pieces: unabashed femininity, honesty, partying, and punk rock.”
- L’Assassins are surf rock with a bit of rockabilly thrown in. The Current said, “These ladies aren’t following anyone’s rules. That attitude is what makes L’Assassins one of the most refreshing bands in local music right now.”
- Puff Puff is the newest of the three all-women bands I’m featuring today–and I should note that their current line up includes a non-female after bass player Tanja Sturges relocated out of state–but they are my personal favorite. Their surf/garage/twee sound is the sort of thing that has me spinning Puff Puff’s music frequently. They promise a new 2015 EP recorded with the original line up, and the one song released from it is well worth the listen. This is a band to watch, and I’m not just saying that because they are friends of mine. ;)
If you have any interest in women in music, check out Record Collecting for Girls by Courtney E. Smith for a fun and opinionated look at women in music that takes on everything from not being taken seriously as a female music geek to questions about the universality of the female voice. Fascinating reading. I’ve recommended it before, and I’ll probably do it again.
Also check out some of my previous music posts featuring female musicians: Speaking Music, Caroline Smith, Lucy Michelle, and Zoo Animal.
Or, if you’re like me, you’ll want to read some music-related teen fiction. I’d recommend Supergirl Mixtapes, The Disenchantments to start with. More great titles are on my Book Lists wiki.
What women have you been listening to?
Zoo Animal may have taken the last year and a half away from the spotlight, but Holly Hansen’s minimalist, poetic style has remained among my most-played music choices as it has for the last several years. I was thrilled to hear that Zoo Animal was playing shows again, and even more excited to learn that it was going to be an early show with another local favorite, Fort Wilson Riot, opening.
We were there with our seven-year-old in tow. She was the one in the pirate costume. I love it when we have opportunities to share our love of music with our daughter, even if it did mean that my view of Zoo Animal’s set left something to be desired. Even from a distance, it was a powerful performance.
Later this month, you can hear Zoo Animal get Loud at the Library in St. Paul. I love it when my favorite musicians play at my favorite places. :)
- Read more about Zoo Animal on this blog here and here or see my photos of the show here.
- Listen to their latest releases here.
- Watch a documentary about Holly Hansen and her songwriting here.
Live music doesn’t have to be about huge arenas and screaming fans or late nights at crowded rock clubs. Sometimes it’s about connection. I recently had the pleasure of attending an event at Torch, a new performing arts space in Minneapolis that puts the audience-artist connection at the forefront of the experience. It’s a great space with a strong vision, and I am excited to see what’s next there.
I caught the final date in the Raw Deal concert series that ran on Sunday evenings in December and January. I wasn’t exactly sure what to expect at Torch, but I couldn’t help but smile when I walked in to find friendly faces and the smell of brownies baking. “Homespun” is the way it is described on the web site, and I think that describes it well. Torch has a homespun feel to it in the most complimentary way possible. This is a venue where you introduce yourself to your fellow audience members and you talk about what brought you there. It’s a venue where you can, not only meet the artist, but also have a conversation with them. When the show started, we all paid attention.
Hannah von der Hoff performed first. Her bluesy style radiated warmth and fit perfectly with the setting. There was no set list. The audience drew the song names from a couple of hats, which kept things conversational and open.
Matt Latterell closed the night with songs that told stories. His album Life on Land has been in regular rotation on the playlist at our house for a while, and my husband and I were happy to have the opportunity to see him perform in a venue like this one.
My partner and I don’t agree on everything. But we do agree on post-rock. Friday night we were out together without the five year-old for the first time a what felt like a long time, but it wasn’t really a date night. His band was playing that night and celebrating the release of a split EP, so he was busy with last minute details for the show and networking–the life of a local rock star is a glamorous one–while I enjoyed the music.
Falcon Arrow, a local post-rock duo, opened the show. They have been around for a couple of years, but they were new to me. And I loved it. When I re-connected with Chad later in the evening, he had procured a Falcon Arrow CD. It seems we still have something in common, after all. :)
Check out Falcon Arrow on Bandcamp for their latest. Here’s a video from the album:
I came across Want to be in a Band? at work recently as I was going through some new picture books, and I paused. It isn’t often you find a picture book that is one part memoir, one part instruction manual for the music industry. And it’s illustrated by one of my favorite illustrators?! Love.
I wasn’t familiar with Suzzy Roche of the family folk-band The Roches before this book. I’ll add it to the list of trivia I have learned from my work in the book industry. In any case, Ms. Roche reveals the secrets to successful musicianship. Here they are for anyone secretly harboring a desire for family folk band stardom: A lot of practice, a lot of shows, and not letting the critics get you down. Most of all, it’s about love. Love for the music and love for your sisters. That’s the important thing, she says.
Maybe I liked the book because I have a thing for memoirs and picture book memoirs are so rare. Or maybe it’s because I really do want to be in a band despite my ridiculous lack of musicality. Actually, it’s probably because I’ve been listening to a lot of The Ericksons (a local sister band with a folk/rock sound) lately, and I can’t help but wonder if they sing at breakfast. Because that’s what being in a family band is like, right? Perhaps Roche spoiled the fantasy a little bit with her pragmatism, but next to Giselle Potter’s folk art style illustrations, I’ll allow it.
Whatever the reality, sisters can make some lovely music. Here is “Where Do You Dwell?” for you to listen to while you imagine a life in which you practice a lot, play a lot of small shows, ignore the naysayers, and just love music.
Find Want to be in a Band? from your local library or support an independent bookstore. No affiliate stuff here. Just trying to support my fellowbook people. :)
Also, you can name your price for The Ericksons music here.
I always seem to grab my notebook when Dessa is on the radio. Her songs have a way of sparking my own creative spirit, and her commentary on her craft become journal entries and eventually blog posts. Today, as I listened to the rebroadcast of Dessa Deconstructed on the Current’s Local Show, I once again found myself jotting down quotes and scribbling poetic jumbles. When you have some time, watch the program or listen to her latest record. Perhaps it will have the same effect on you.
My partner says I have a type when it comes to music. He’s probably right. Look at some of the artists I’ve blogged about: Haley Bonar, Zoo Animal, Lucy Michelle. I can’t deny it. I like female singer-songwriters, especially those who write folky indie pop. For the record, I’ve also blogged about totally different music (See Bloodnstuff, M83, and GY!BE), so I’m not completely stuck in a genre bubble.
I bring this up because Caroline Smith and the Goodnight Sleeps is so my type. The recent documentary about the Minneapolis-based singer-songwriter, My Way Back Home: Caroline Smith, highlights Smith’s evolution as a songwriter, her relationship to her family and hometown of Detroit Lakes, Minnesota, and finding her voice.
I’ve been listening to the Local Current radio stream lately, and I’ve been thinking about how long I have to live with things to give them a chance. Low, Local Current’s Featured Artist of the month, has been around for 20 years, and I’ve known of them for at least 10-12 of those years. I never really gave them a chance until they released The Great Destroyer in 2005. It was a departure for them, and I loved it immediately. More than that, though, it put their backlist into context for me. Everything clicked. The songs that had been in the background for years weren’t background anymore. They were the ground, and they have been ever since.
I didn’t get it for a long time, and now Low is a band I will always come back to. Their latest record, The Invisible Way, will be released in March.
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